The estate and the firms on it
Corporate headshots in Canary Wharf are planned a little differently from anywhere else in London, because the estate at the heart of the district is privately owned and managed. Canada Square sits at its centre, with One Canada Square and the bank towers grouped around the park. Bank Street and Upper Bank Street run south of the square towards the water. Cabot Square lies to the west, on the way to Westferry Circus, and Churchill Place is to the east. Further east is Wood Wharf, the newer neighbourhood, where offices share the streets with homes and shops and the office buildings are smaller than the towers around Canada Square.
Between them, these streets house global and UK banks, law and professional services firms, rating agencies and financial data businesses, and technology companies. Reaching them is easy. The Jubilee line station sits in the middle of the estate. The DLR stops at Canary Wharf, Heron Quays and West India Quay, and the Elizabeth line station beneath Crossrail Place runs direct to Liverpool Street and Bond Street.




Four sittings, one eye line.The line is the Standard.
Security, passes and loading on the estate
The estate is private land with its own security team, a control room staffed around the clock and random checks on vehicles at the entry points. Every building then has its own reception, and a bank that occupies a whole tower will often run its own security on top. None of this is difficult, but it rewards a fortnight of notice. Our team is registered as visitors in advance and collects passes at reception with photo ID.
Equipment seldom goes through the front door. Office buildings on the estate take deliveries and contractors' kit through their loading bays. Ask your facilities team to book a bay window and a goods lift for the morning setup and the evening clear-down. The estate is privately managed, so council parking arrangements from Tower Hamlets do not extend to its loading areas, and vehicle access is arranged through your building's management instead. Photography in the lobbies, the malls and the outdoor spaces falls under the estate's own permit scheme, so keep the session inside your own floor unless a permit is in place.
Choosing a room in a Canary Wharf tower
The towers around Canada Square have large, open floors, with meeting rooms either along the windows or grouped near the lift core. For Classic and Editorial portraits, choose the core. Rooms that face the docks take light reflected off the water. It changes with the weather and the hour, which works against a steady result from the first sitter to the last. A training room or an interview room without an outside wall is ideal.
Many firms here also keep a client floor, with a run of meeting rooms along one corridor. Those rooms are private and well finished, but they are often booked well ahead, so reserve one as soon as the date is agreed. For Environmental portraits the view is an asset: the docks or a long atrium make a handsome background once they are blurred. In Wood Wharf's smaller buildings, where a firm may have only a few meeting rooms, take the one furthest from reception so visitors are not walking past.
Six questions every buyer asks
What does it cost?
GBP 2,950 plus VAT for a Standard Day of up to 40 people. Everything is priced by the day and sold to the firm; nothing is sold per person.
See all pricesHow long is each person away from their desk?
Ten minutes. Five or six of them are in front of the camera; the rest is walking there, approving the frames on screen and walking back.
A day at your officeWhat does the room need?
A meeting room of about four by three metres with two sockets, and battery lighting if there are none. The studio is up in 30 minutes and down in 20, and nothing is left behind at lunchtime.
The room specificationHow quickly do the images come back?
Proofs of the approved frames on the day. The full finished set, in every placement format, through the sitter portal within ten working days.
What finishing involvesWhat happens when someone joins next month?
Their session is matched to your written Standard, at the next programme day or at a catch-up session, so the new image sits in the set without looking new.
How the programme worksWho else has used you?
Corporate headshot work to date includes a global employment platform, a software company and a multi-family office; a firm is named only once it has agreed in writing. The Managing Director's portrait work has been exhibited at the National Portrait Gallery and her commercial clients include Formula E, Porsche and Aston Martin.
See the workTiming around the trading day
Trading floors set the timetable on the estate. The London market opens at eight, so windows for traders run early, with setup finished before the first of them arrives. Desks that also cover New York become busy again from mid-afternoon London time, when the US markets open, which makes late morning the next best window for them.
Everyone else is easiest to catch at lunchtime. A block of windows from twelve until two lets people sit on the way to or from the shops and restaurants in the malls below, and leaves the morning clear for meetings. Hybrid patterns matter too: choose a day when most of the team is in, which for many firms is mid-week.
Booking days on the estate
A Standard Day covers up to 40 people, and a large building is usually photographed over several days, team by team. Senior management can be given their own, quieter session on an Executive Day. A firm with offices in Canary Wharf and in the City or the West End can run one programme across all of them. Every portrait is held to the same written Standard, and every sitter downloads their files from a private gallery.
To keep your headshots in Canary Wharf current through the year, choose the Quarterly Programme: four Standard Days at a locked rate, each matched to the Standard. Tell us the building, roughly how many people, and whether any desks trade before the open, and we will come back with dates.
